{"id":226555,"date":"2025-04-24T12:53:00","date_gmt":"2025-04-24T11:53:00","guid":{"rendered":"https:\/\/www.avisualpro.es\/red-and-dzofilm-workshop-x-avisual\/"},"modified":"2026-10-02T14:39:07","modified_gmt":"2026-10-02T13:39:07","slug":"red-and-dzofilm-workshop-x-avisual","status":"publish","type":"post","link":"https:\/\/www.avisualpro.es\/en\/red-and-dzofilm-workshop-x-avisual\/","title":{"rendered":"RED and DZOfilm Workshop x AVisual"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">On April 24, 2025, we had the pleasure of sharing with all of you the RED and DZOfilm Workshop, which we organized at our AVisual Madrid studios. It was, without a doubt, very different from what we are used to and a complete success!<\/p>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Workshop: RED y DZOfilm x AVisual\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/sJQvinNpe98?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<div class=\"wp-block-uagb-advanced-heading uagb-block-85324932\"><h2 class=\"uagb-heading-text\">Workshop Summary<\/h2><\/div>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<h3 class=\"wp-block-heading\"><strong>1. Introduction<\/strong><\/h3>\n\n<ul class=\"wp-block-list\">\n<li>Acknowledgements:<br>\n<ul class=\"wp-block-list\">\n<li>To AVisual for the invitation.<br\/><\/li>\n\n\n\n<li>To Catch C\u00e1mara and Isabel for their support.<br\/><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Purpose of the talk:<br>\n<ul class=\"wp-block-list\">\n<li>To present cameras, lenses, and work tools.<br\/><\/li>\n\n\n\n<li>To show how they are used in real projects (commercials, documentaries, nature).<br\/><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>2. Personal Presentation and Philosophy<\/strong><\/h3>\n\n<ul class=\"wp-block-list\">\n<li>The speaker is a director of photography, not a camera salesperson.<br\/><\/li>\n\n\n\n<li>Cameras and lenses are tools for storytelling, not ends in themselves.<br\/><\/li>\n\n\n\n<li>Camera choice depends on the project and the operator&#8217;s comfort, not just technology.<br\/><\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>3. RED Cameras<\/strong><\/h3>\n\n<ul class=\"wp-block-list\">\n<li><strong>Models presented:<\/strong><strong><br><\/strong>\n<ul class=\"wp-block-list\">\n<li>Komodo (simpler, compact).<br\/><\/li>\n\n\n\n<li>Komodo X (more advanced, high-end).<br\/><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Advantages of RED cameras:<\/strong><strong><br><\/strong>\n<ul class=\"wp-block-list\">\n<li>High resolution (6K or 8K), allowing for cropping and increased frames per second.<br\/><\/li>\n\n\n\n<li>RAW format, with wide color depth and control in color grading.<br\/><\/li>\n\n\n\n<li>Dynamic ISO: allows light adjustment without losing quality.<br\/><\/li>\n\n\n\n<li>Compact, efficient in battery consumption, and practical handling in extreme conditions.<br\/><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Uses:<\/strong><strong><br><\/strong>\n<ul class=\"wp-block-list\">\n<li>Nature documentaries, projects in extreme climates, complex shoots with limited resources.<br\/><\/li>\n\n\n\n<li>Flexibility to work indoors, outdoors, and in situations with variable lighting.<br\/><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>4. DZO Lenses<\/strong><\/h3>\n\n<ul class=\"wp-block-list\">\n<li>Types:<br>\n<ul class=\"wp-block-list\">\n<li>9-16 lenses, anamorphic, and other specialized lenses.<br\/><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Advantages:<br>\n<ul class=\"wp-block-list\">\n<li>Versatility for commercial and advertising projects.<br\/><\/li>\n\n\n\n<li>Allow capturing high-quality images in complex conditions (humidity, cold, macro).<br\/><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Philosophy:<br>\n<ul class=\"wp-block-list\">\n<li>Lenses are tools to achieve creative results; not all lenses are used all the time.<br\/><\/li>\n\n\n\n<li>New brands (like DZO) have gained presence by offering innovative and more versatile alternatives.<br\/><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>5. Evolution of the Audiovisual Market<\/strong><\/h3>\n\n<ul class=\"wp-block-list\">\n<li>Traditionally, cameras and lenses were dominated by established brands.<br\/><\/li>\n\n\n\n<li>Recent innovations:<br>\n<ul class=\"wp-block-list\">\n<li>Shift from HD to 4K and now to 6K-8K.<br\/><\/li>\n\n\n\n<li>Camera simplification: less external hardware, more autonomy.<br\/><\/li>\n\n\n\n<li>Evolution in lighting: LEDs and more efficient systems.<br\/><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Impact for the director of photography:<br>\n<ul class=\"wp-block-list\">\n<li>More creative control, fewer technical limitations.<br\/><\/li>\n\n\n\n<li>Ability to work alone or with limited resources.<br\/><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>6. Techniques and Best Practices<\/strong><\/h3>\n\n<ul class=\"wp-block-list\">\n<li>Working with appropriate ISO according to lighting:<br>\n<ul class=\"wp-block-list\">\n<li>Interiors: Low ISO.<br\/><\/li>\n\n\n\n<li>Exteriors: High ISO, protect highlights.<br\/><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Importance of RAW handling:<br>\n<ul class=\"wp-block-list\">\n<li>Recover shadows and highlights without losing detail.<br\/><\/li>\n\n\n\n<li>Precise color adjustments (CDL, wheels, dominant color correction).<br\/><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Practical examples:<br>\n<ul class=\"wp-block-list\">\n<li>Use of RED CineX and monitor to visualize histogram, vectorscope, contrast, and color correction.<br\/><\/li>\n\n\n\n<li>Real experience: shoots in M30, Iceland, Costa Rica.<br\/><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>7. Work Philosophy<\/strong><\/h3>\n\n<ul class=\"wp-block-list\">\n<li>Production: do not idealize others doing the technical work; the operator must have total control.<br\/><\/li>\n\n\n\n<li>Tools (cameras, lenses, lights) should be an extension of the creative process, not an obstacle.<br\/><\/li>\n\n\n\n<li>Technique must serve narrative and creativity.<br\/><\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>8. Conclusion<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\">The choice of tools depends on the project, shooting conditions, and operator comfort.<\/p>\n\n<p class=\"wp-block-paragraph\">The talk combines theory, practical examples, and demonstrations.<\/p>\n\n<h4 class=\"wp-block-heading\"><strong>Final objective:<\/strong><\/h4>\n\n<p class=\"wp-block-paragraph\">To demonstrate the versatility of cameras and lenses.<\/p>\n\n<p class=\"wp-block-paragraph\">To teach how to apply them in different contexts to improve creative and technical quality.<\/p>\n\n<div class=\"wp-block-uagb-advanced-heading uagb-block-937bfb0f\"><h2 class=\"uagb-heading-text\">Questions and Answers<\/h2><\/div>\n\n<h3 class=\"wp-block-heading\"><strong>What cameras were presented at the workshop?<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\">The <strong>RED Komodo and Komodo X<\/strong> were presented, focused on offering solutions for commercial projects, documentaries, and shoots in extreme conditions.<\/p>\n\n<h3 class=\"wp-block-heading\"><strong>What are the outstanding features of the RED Komodo and Komodo X cameras?<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<ul class=\"wp-block-list\">\n<li>High resolution: <strong>6K or 8K<\/strong>, ideal for cropping and increasing frames per second.<\/li>\n\n\n\n<li><strong>RAW<\/strong> recording, with wide color depth and control in color grading.<\/li>\n\n\n\n<li><strong>Dynamic ISO<\/strong>, to adjust light without losing quality.<\/li>\n\n\n\n<li>Compact, battery-efficient, and easy to handle outdoors or in difficult climates.<\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>What types of projects are ideal for the RED cameras presented?<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<ul class=\"wp-block-list\">\n<li>Nature and travel documentaries.<\/li>\n\n\n\n<li>Shoots in extreme conditions (cold, humidity, complex interiors\/exteriors).<\/li>\n\n\n\n<li>Productions requiring flexibility and total operator control.<\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>What lenses were presented and what are their characteristics?<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<ul class=\"wp-block-list\">\n<li><strong>DZO 9-16 and anamorphic lenses<\/strong>, along with other specialized ones.<\/li>\n\n\n\n<li>Versatile for advertising, cinema, and documentaries.<\/li>\n\n\n\n<li>Resistant in demanding conditions such as cold, humidity, or macro.<\/li>\n\n\n\n<li>They seek creative results rather than indiscriminate use; each lens has a narrative purpose.<\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>What advantages do these DZO lenses offer compared to traditional brands?<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<ul class=\"wp-block-list\">\n<li>Innovation and versatility, offering lighter and more adaptable alternatives.<\/li>\n\n\n\n<li>They allow maintaining high image quality in projects with limited resources.<\/li>\n\n\n\n<li>Good balance between functionality and creativity, ideal for directors of photography working alone or with small teams.<\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>How were these cameras and lenses applied in the workshop?<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<ul class=\"wp-block-list\">\n<li>Use of <strong>RED CineX<\/strong> and monitors to control histogram, vectorscope, and color correction.<\/li>\n\n\n\n<li>Recordings in different environments: interiors, exteriors, extreme climates.<\/li>\n\n\n\n<li>Adjustment of <strong>ISO and RAW<\/strong> to optimize exposure and shadow\/highlight recovery.<\/li>\n\n\n\n<li>Real examples of shoots in M30, Iceland, and Costa Rica.<\/li>\n<\/ul>\n\n<h3 class=\"wp-block-heading\"><strong>What is the speaker&#8217;s philosophy for using these tools?<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n<ul class=\"wp-block-list\">\n<li>Cameras, lenses, and lights are <strong>extensions of the creative process<\/strong>, not ends in themselves.<\/li>\n\n\n\n<li>The operator must have total control of the camera and the narrative.<\/li>\n\n\n\n<li>Technique always serves the <strong>story and aesthetics<\/strong> of the project.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>On April 24, 2025, we had the pleasure of sharing with all of you the RED and DZOfilm Workshop, which [&hellip;]<\/p>\n","protected":false},"author":10663,"featured_media":213936,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[1665],"tags":[],"class_list":["post-226555","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-workshops-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>RED and DZOfilm Workshop x AVisual - AVisual PRO<\/title>\n<meta name=\"description\" content=\"RED and DZOfilm Workshop at AVisual with Sergio de U\u00f1a. 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